Author Archive

Day Job/Night Job: How I learned to stop worrying and love drugging rats

Wednesday, May 12th, 2010

I’m convinced that there are hundreds, even thousands of you out there who read my intro entry and found it hard to believe that I used to work in a research laboratory. No Gullible Gus you! You’re simply a product of 20th century skepticism. You want some sweet, sweet  evidence that I actually used to work in a drug addiction research lab. Well internet, here it is:

Yup!  That’s me in the small animal surgery facility of my old lab, dressed in my finest Personal Protective Equipment (I think Minty Dental Green is my color!). The adorable little beastie on my chest is a prime specimen of the Long-Evans strain of Rattus norvegicus.  Cute, isn’t he? Kind of like a tiny, milkless cow.  Now is a good time for any vegan, vegetarian, or just plain squeamish readers to to turn their attention to something more palatable.

Are the softies gone? Ok, cause I just wanted to clear you out so I could safely give this picture context. Right after I took this picture, I anesthetized Lil’ Subject 310 with a common veterinary cocktail, catheterized his right jugular vein with a piece of silicone elastomer tubing, and bilaterally implanted two 16-wire microarrays into is nucleus accumbens. After about two weeks of recuperation, the little guy began training on a operant task in which he learned that every time he pressed a small lever, he’d get a shot of cocaine hydrochloride directly into his bloodstream.

To be exact, it’s not that he realized that he got an injection of a highly addictive, but more that he realizes that every time he presses the lever he SUDDENLY FEELS FUCKING AWESOME. Rats are like people, man: they like to feel awesome.

SO… you are probably wondering why the hell I did all of that. How did I know what you were thinking? Well, everybody I’ve ever talked about my job with has reacted in one of 2 highly predictable ways.
ONE: “Oh ha ha hey maaaan, ha ha, can u like, share some of those drugs, heh heh?”  Ha ha ha! Comedy jokes, ha ha! I LOVE ‘EM AND IT IS JUST AS FUNNY EVERY TIME!
TWO: “Uh, why? Don’t we already know that when you give people drugs, they get high?”

On rare occasions I’ll get a third reaction, some shit like “Oh really? What lab? I did my postdoc with Patricio O’Donnell; were you guys recording in prefrontal cortical structures or just accumbens?” That’s pretty refreshing; feel free to leave responses like that in the comments or on my voicemail.

But yeah, number Two, we do already know that people get high on drugs. That’s not the question we’re asking. We’re trying to figure out why it is that some people can take or leave drugs, and why some people CAN’T FUCKING STOP no matter how much they want to. My lab was specifically interested in investigating the neural process underlying addiction – what is actually happening to populations of neurons in the portion of the brain that regulate motivation and behavior. We worked from the general assumption that addiction is a subversion of the normal mammalian learning process.  In other words: rats are mammals, we are mammals, so some of the underlying mechanisms are going to translate. Hence the use of Lil’ Subject 310 in our operant conditioning model of human behavior.

I think I could probably say more about my time at the lab, but I just looked at the clock and it is officially Get A Burrito PM. One more thing before I eat: Number One, I am not even dignifying that with a response or a link to the DEA’s strict enforcement policies. Shouldn’t you  get back to bumming your roommates’ debit card to renew you subscription to High Times?

Later skaters!

Day Job/Night Job: An introduction

Thursday, May 6th, 2010

Hey internet! It’s EXTRA STRENGTH cast member Alexis Simpson.  I’m sure you’ll find this difficult to believe, but the fact is that EXTRA STRENGTH isn’t the only thing I do with my time. Like many members of the iO West family and greater improv community, I live a double life. I have an agent, I audition, I do shows — but in between, I look for any reasonable paid work such that I can afford to eat.

But unlike most of the actors I know, I have a bachelor’s in psychology with a concentration in neural and behavioral sciences. Oh, and I spent several post-grad years working full-time in a drug addiction research lab. The lab investigated the neural basis of psychostimulant addiction in the mammalian limbic system using a rodent self-administration model. So, in layman’s terms: I GOT RATS HIGH ON COCAINE, FOR SCIENCE.

Prior, during, and since my glory days as a “lab rat coke dealer,” I’ve held a number of interesting jobs and a number of boring jobs that resulted in interesting stories. To that end, I thought you might enjoy hearing some of these stories, and thought I would gather them under the header “Day Job/Night Job.” You can look forward to hearing about the time I got hit on while cleaning a hamster cage! Or the time my Egyptian Jon Lovitz-look-alike boss sent me home with 4 whole chickens!! Or the day I discovered that Megan Fox fans are dumber than Adriana Lima fans!!!! Hey, that was today!

But I won’t do it now. I have to leave for my shift at the iO West Box Office and then I’m off to the Ladies Are Funny Festival in Austin, Texas with The Real Housewives of Philadelphia. So for now, consider yourself teased.

Happy weekend!

Our Incredibly Amazing Modern Wonder Times

Thursday, December 24th, 2009

This is a Christmas Eve  quickie about my gratitude for modern life. We live in amazing times. A hundred years ago, you had to travel for hours to get anywhere and everybody died of dysentery. Plus, I hear bad things about horsehair armchairs. Not only that, but the proliferation of information, being largely pony-dependent, was excruciatingly slow. If you came up with something hilarious and nobody was around, you had no way to share it without saddling up Pepper and trotting a few miles to the local tavern.

Today, I wrote the awesomest joke I have ever written. I mean, I might have peaked here, people. It’s got it all: puns. Allusions to one of America’s most turbulent periods in history. More puns. Alone in the house but desperate to share, I published it on one of my Twitter pages- no equestrian skills required.

Here’s the joke:

Q: What did General Westmoreland put on his Charlie Horse?
A: NEIGH-Palm!

I KNOW, RIGHT? Anyway, about a minute after “twit-ting” the joke, I refreshed my feed and saw that legendary peace activist and Vietnam protester Yoko Ono was out and about. Yep, she was sending out Holidays messages of peace and love. Right after I just made a napalm joke. Sigh.

But it kind of made me happy, you know? What a marvel of modern man, that I might write the awesomest thing I’ll ever write, only to worry mere seconds later that I might have offended Yoko Ono. Yeah yeah, I know that the likelihood that she actually saw the joke is quite slim, and it’s a fatter chance still that she was offended. But I think it speaks to the wonders of modern life that it’s a possibility. It’s my pick for Christmas Miracle.

Happy Holidays, everybody!

Peein’ in the wind. Uh, Metaphorically.

Tuesday, December 15th, 2009

I had it pretty damn good as a kid: A roof over my head, two loving parents who supported me emotionally and financially, a college education. Not to brag, but I even had a pony! His name was Caught Red Handed and he smelled of summertime and innocence.

But let’s get one thing straight: there is simply no way to raise a child on planet Earth without it turning out a little damaged. Left untreated, the tiniest of incidences will snowball over the years into a huge crushing phobia. So although I had it pretty much made in the shade, there was this one time I got laughed at for singing along to the radio and it scarred me for life. I spent the next 20 years or so believing that I was tone deaf and making choices accordingly. You know, not singing, not taking music lessons, mouthing the words to “Happy Birthday”.  And if you know anything about the principles of  neuroplasticity, these self-selected behaviors allowed the music-processing portions of my cortex to atrophy.  Well, atrophy is a strong word. But them music-processing cortical networks sure as hell didn’t get no stronger, I tell you what. Thusly, my singing voice and my hearing ear never improved.

Luckily, the Good Lord invented comedy, such that we may take these tiny lumps of emotional trauma and stir them into a delicious stew smothered in the delicious gravy of self-deprecation. I mean, I’m pretty sure that’s why I got involved in improv and comedy- to soothe the constant inner awkwardness I felt in all situations. But I never expected that it would provide me with an opportunity to face my deepest fears.

In 2005 I joined ComedySportz Philadelphia without really knowing what it was. I knew it was a professional improv company (at the time, probably the only one in Philadelphia), but I had never seen a show or anything. As it turned out, ComedySportz Philly involves quite a lot of singing. We’re blessed with a couple of the kickest-ass musicians I know (Hi Alex Bechtel! Hi Joe Gribbin!) and so the company makes it a point to utilize them. At least 20% of our weekly show is devoted to singing games.

Internet, has this ever happened to you? You suddenly find yourself doing exactly that which you’ve spent your whole life carefully avoiding? Like, say you’re terrified of commitment and you go out on a couple of dates with someone, and on date three s/he suggests you walk around a fire seven times or so, and WHAMMO! Turns out s/he is a practicing Hindu and now your ass is MARRIED. It’s just like that.

But it can be a good thing to accidentally stumble directly into the path of your greatest fear. It is a rare breed of human that will dive headfirst into puddles of “No” and “FAIL”. Humans are a creature more apt to stick with the known quantity. If it ain’t broke, don’t fix it; you can’t teach an old dog new tricks, etc. This tendency to stick to what we already know explains why it took scientists so damn long to discover the extent of our adaptability. It wasn’t until the late 90’s that scientists started to realize the capacity of the adult brain to rewire itself based on experience. So whether you’ve taken up Chinese in your 50’s, or you’re learning to walk again after a head injury, that is captial-G Good news.

For years and years, I just believed my internal story line that I couldn’t sing. Now I’m a few years into my “singing career” (and about 6 months into voice lessons) and it turns out I’m NOT tone deaf.  All those years I just believed the hype. It reminds me of an anecdote I heard about improviser and teacher Mick Napier, who is legendary for remembering everyone’s name ever. Someone asked him about this remarkable skill, and apparently he said something like “Oh, I wasn’t good with names. And one day, I decided to be good with named. So I just started telling myself ‘I am good with names,’ and it came true.”

I think I called this post “Peein’ in the Wind” because … well, I don’t know. Peeing into the wind is something we all know is a bad idea, because we’ve all been told it is a bad idea. But I’ve never actually tried peeing in the wind. Maybe it isn’t so bad! Maybe you just get a little wet and then Mark Hamill shows up and shakes your hand. That would be pretty cool.

I guess I meant for the wind to symbolize the internal monologue of fear that prevents us from trying new shit out. It’s the voice in our head that tells us we can’t, and we believe it. It’s the voice in my head telling me not to publish this blog because it’s stupid, and it’s the one that keeps me from making and hearing offers when I’m improvising. So, shut up already, wind! Mama just drank 32 ounces of Wild Cherry Diet Cola and is looking in your direction!

Performer Profile: Maggy Keegan

Friday, November 6th, 2009

Twice a month Extra-Strength News features “Performer Profiles” where we ask 20 Questions to notable improvisers from around the country to get their thoughts and insights into the art form and shed some light on how their brains work. You can also check our Improviser’s Glossary for explanations of some terms and concepts.

Maggy Keegan is Extra-Strength’s newest cast member. An accomplished singer, dancer, actor, writer and producer as well as a crack improviser, Maggy performs and hosts numerous shows at the iO West theatre and makes her Extra-Strength debut next weekend on Saturday November 14th at 11pm.

Maggy Keegan

When did you start improvising?

I started taking short-form improv classes while I was still working in non-profit in Philadelphia around six years ago.  I really began my improv training in earnest two years ago at iO West.

What do you like about long-form versus short-form improv?

I like both for different reasons as they work different muscles. I fell in love with long-form improv because of the challenge of it and because of the teamwork it requires in order for it to be done well.

(more…)

Rare Bird Show Plug

Tuesday, October 27th, 2009

Hey folks, Alexis here again. Like so many improvisers in the game, I am a whore. An improv whore, that is! Though an improv whore is different from a regular whore, in that 1) we don’t have sex for money and  2) actually we don’t get paid at all.

One of the groups I tart around with regularly with is Philadelphia-based longform troupe Rare Bird Show.  You might think it’s crazy for me to promote a Philadelphia-based troupe on a blog for a Los-Angeles-based comedy show. Well, you might be right! But you might also be an asshole. Because here on the internet, geographical location matters not.

Here is the part where i put in a link to our online video. Here it is! Hooray!

RBSprofile

Click on the link to be mystically transported to DFDTV’s Live-Laughs.com. The power of the 3G network compels you!

Performer Profile: Brian O’Connell

Saturday, October 24th, 2009

Twice a month Extra-Strength News features “Performer Profiles” where we ask 20 Questions to notable improvisers from around the country to get their thoughts and insights into the art form and shed some light on how their brains work. You can also check our Improviser’s Glossary for explanations of some terms and concepts.

Extra-Strength’s Brian O’Connell is a familiar face to anyone who frequents the iO West Theatre in Los Angeles, where he runs the bar and seems to appear in every other show, including Dr. God, Tigerpants and MUD. Brian also wrote, directed and starred in the independent feature KILLER VIEW.

Brian O'Connell

When did you start improvising?

I started improvising on March 3rd, 2003. I remember distinctly it being that date as I had seen my first ever show in January and wanted to sign up immediately but had missed the registration at iOWest. I’ve never left.

What do you like about long-form versus short-form improv?

Basically, short-form’s not my cup of tea because I don’t find it particularly challenging or dangerous for either the audience or the performer. Normally, when people ask me why I don’t perform short-form improvisation, I’ll respond, “Because I can’t do a short form show about ‘betrayal’.” It’s a polite way of saying that it’s not my bag without offending my friends who really adore short-form.

(more…)

Truth and Beauty: an improv workshop

Monday, October 19th, 2009

Yesterday I had the privilege of taking a workshop called “Truth and Beauty” with the fabulous Jill Bernard. Jill is the creator of Drum Machine, a solo improvised show in which she blends a historical event and an audience member’s life into a single heartwarming story (complete with hate, love, and drum machine beats!). She is also one-half the duo SCRAM with Joe Bill of the Annoyance,  the author of the Small Cute Book of Improv, and a veteran member of ComedySportz Twin Cities.

jill-bernardJill does her Drum Machine Thang.

What is Truth and Beauty? Uh, that’s kind of a massive question for me to tackle. So let’s instead ask “What is a Truth and Beauty improv workshop?”

If I had to choose a thesis statement for this workshop (and I do!) I’d say it was “Vulnerable improvisers are compelling improvisers.” We spent the day opening our emotions, connecting with our scene partners, and how to be wary of “that guy”- the one who always takes a heartfelt offer and makes it into a dick joke. We explored the infinite power of silence. We ended the day with an exercise meant to show that everyone is capable of both driving a scene and taking a backseat to their partner.

The important thing is that one should not confuse heartfelt, vulnerable work with serious or dramatic work. There is an overlap, but they are not the same thing. Jill touched on that during her introduction, referencing a recent trend in longform in which people were performing serious work as a sort of correction against the goofy improv they felt was predominant in the community.

I remember that trend; during its peak I saw one or two shows that were pretty good, but you know what? A lot of them were not good at all. It became clear to me that serious is not a short-cut to quality theater.  I don’t think it makes the work any more legitimate to restrict yourself to playing straight or quote-end-quote “real” characters at all times. It is entirely possible to see a lazy-eyed cartoon bear, who is also farting nickels, do a heartfelt scene about loneliness. There is equal potential in seeing me play my hypothetical nickel-farting bear as there is to seeing me a twenty-something woman nervous about a date. As long as the emotions I’m exploring are real, the human audience will be engaged.

People confuse patient with slow, and they confuse serious with boring. DON’T LET IT HAPPEN TO YOU!!!!!!

Ps: Jill is on a mission to teach in all 50 states, so hopefully she’ll be coming to a town near you!

Performer Profile: John Conroy

Sunday, October 11th, 2009

Twice a month Extra-Strength News will be featuring “Performer Profiles,” where we ask notable improvisers from around the country 20 questions to get their thoughts and insights about improv and shed some light on how their brains work. You can also check our Improviser’s Glossary for explanations of some terms and concepts.

First up we have Extra-Strength’s own John Conroy, who can regularly be seen at the iO West Theatre in Los Angeles making audiences laugh, funny people dance, and bartenders solvent.

John Conroy

When did you start improvising?

I took my first class in 2001 after I saw a Groundlings show and it changed my life. Scott Gimple later pushed me into the iO training program to learn long-form, and now I’m a devoted disciple of Del Close.

What do you like about long-form versus short-form improv?

I’m actually not a huge fan of short-form. I guess it sometimes gets to the funny faster, but there’s so much more you can do with long-form. Long-form is more challenging and pushes me as a performer, and the reward is sweeter. I’m a writer by trade so I prefer character arcs to punch lines.

(more…)

East Coast Til We Die: PHIF 2009 Recap

Wednesday, October 7th, 2009

Sure, sure: Extra-Strength! is a tight-knit cast of ten that rarely leaves the safety of one another’s sweet embrace. However, on the occasional occasion, cast members will wander outside the confines of the Extra-Strength’s magical bosom to attend to other business.

This past weekend, two of the XS cast attended PHIF 5: the 5th Annual Philadelphia Improv Festival of Improv Festivities.  Comedians came from all over the United States to improvise comedy and hang out. Or as I like to call it, Make-Ups to Make-Outs.  YEAHHHHHH!

Alexis Simpson (that’s me!) performed with Philly-based groups Rare Bird Show and the Real Housewives of Philadelphia. Brian O’Connell made the magic happen with his two-man show BillyHawk (co-starring everyone’s favorite iO West Teddy Bear Jeff Hawkins).

lexihawk
Alexis Simpson and Jeff Hawkins are: LEXIHAWK! Jeff! You put that Wes Side gesture away RIGHT NOW, MISTER!

While Brian and Alexis certainly had a good time at PHIF, we would have had more fun with the rest of our XS compatriots. Guys – let’s think about PHIF 6? Pretty please?